Exhibit 3 - miscellaneous

 

 

 

Exactly as described: "Miscellaneous" . . . small shows in which personal work was shown, or in which I had a role in preparing and participating in.

These include: ASPLUND;Tit for Tatlin; Why Houston, Why?; "Dreams and Schemes: Redesigning the CAM"; "10 Years Out"

'CLICK' on images for Caption and to review in Sequence.

ASPLUND Poster
ASPLUND Poster

As soon as the small MoMA, organized by my Yale classmate, Co-Editor on PERSPECTA 12, and Curator Stuart Wrede, closed, I organized bringing it to the Sewall Gallery.

ASPLUND Exhibit Gallery View 1
ASPLUND Exhibit Gallery View 1
ASPLUND Exhibit Gallery View 2
ASPLUND Exhibit Gallery View 2
ASPLUND feature
ASPLUND feature

FUNDING: only to discover that there was, in fact, a Texas Swedish-American Foundation, who were delighted to have their countryman's Architecture brought to their home.

Tit-for-Tatlin Catalog Cover
Tit-for-Tatlin Catalog Cover

essentially a theme inspired by Russian Constructivism, the Exhibit's Brochure (in red) was also a play on words

Tit-for-Tatlin-Participants
Tit-for-Tatlin-Participants

an impressive collection of Design professionals contributed materials: we were in "Good Company"

Tit-for-Tatlin card
Tit-for-Tatlin card

Exhibition announcement card.

Tit-for-Tatlin-L+P page
Tit-for-Tatlin-L+P page

Selected project featured "House on a Waterway"

TIT FOR TATLIN mailer
TIT FOR TATLIN mailer
TIT-for-TATLIN Exhibit
TIT-for-TATLIN Exhibit

The House on a Waterway was represented as a kind of El Lessitsky 'proun'

TIT-for-TATLIN Exhibit 2
TIT-for-TATLIN Exhibit 2

the panel was 3-dimensional

TIT-for-TATLIN Exhibit 3
TIT-for-TATLIN Exhibit 3

the gallery's SoHo venue

Why Houston, WHY?
Why Houston, WHY?

the Exhibition installation

Why Houston, Why?
Why Houston, Why?

the brochure accompanied the Exhibit in Paris

Why Houston, Why? brochure
Why Houston, Why? brochure

Texas, and especially Houston, was fascinating to Europeans It was great, as a small firm, to be included with Big Boys.

Why Houston, Why? participants
Why Houston, Why? participants

Small Fish among Corporate Sharks

Dreams and Schemes invitation
Dreams and Schemes invitation

The CAM/Contemporary Art Museum sponsored a 'conceptual' competition

Dreams and Schemes Brochure
Dreams and Schemes Brochure

the chosen projects were included in a Portfolio

Dreams and Schemes individuals
Dreams and Schemes individuals

each collaboration was given a special page describing the 'content' as well as the Bio for the participants

CAM-Review 1
CAM-Review 1
CAM-Review 2
CAM-Review 2
CAM-Review 3
CAM-Review 3
10 YEARS OUT
10 YEARS OUT

The Exhibit at Yale A+A, School of Architecture, included some "Glitteratti" as Speakers; many of whom I knew over the years. Vince Scully, Charlie Gwathmey, Liz Plater-Zyberk (on my JAE Editoril Board), Peter de Bretteville ("People Who Live in Glass Houses" P/A article), Bob Stern (who became Dean), Tom Beeby (who had been Dean), Steve Izenour (a major force in Bob Venturi's office).

10 YEARS OUT EXHIBIT
10 YEARS OUT EXHIBIT

My little addition was in amongst others, including Sir Norman Foster, represented by house designs.