Published Writings 7 - as referred to by *

 

HOUSTON an architectural guide

With Perspecta 12 and the Lou Kahn book behind me, I was approached to produce the 1972 AIA Convention Guidebook. The "Senior" AIA/Houston Chapter Publication Board Members remembered when Frank Lloyd Wright received the 1948 AIA Gold Medal at the Shamrock Hilton Hotel (see Published Works 6 TEXAS ARCHITECT - Nov-Dec 1979 cover; "CLICK"), when they were the then "Young Guard". They wished to memorialize work by Houston Architects, especially their own Firms, whereas I (and the "new Young Guard" Members of the Committee) wanted to show the range of buildings in the City, "As It Really Was", regardless of who might be a 'designer'. Quite an 'interesting' experience . . . [see Letters below]

 

The Guide ultimately challanged assumptions about: 

Architecture/Power/Symbolism. (Also see Published Works 12 [The Museums of Fine Arts, Houston "CLICK" to Link]) regarding the politics of the design and production of the Guide, as nay-sayers did not believe the vision would be realized in time . . . so I agreed to make the Gift to AIA Attendees the same size.

While the Guide was WHITE and REDthe MFA,H book was BLACK and SILVER.

'CLICK' on images for Caption and to review in Sequence.

HOUSTON-an architectural guide
HOUSTON-an architectural guide

Combining a NASA aerial with USGS maps, creating a to-scale replication using 'words' to suggest the Urban Context.

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AIA Journal - April 1972
AIA Journal - April 1972

Pre-Convention issue, for which HOUSTON an architectural guide was to be put before all AIA Members.

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CITE 64
CITE 64

Table of Contents: "HIND CITE: Fast Forward" article, using the cover of HOUSTON an architectural guide from 1971 as illustration. Read text in PUBLISHED WORKS 6

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I was asked to write a "Pre-Quel" cover story in the national AIA Journal; in it, I tried to make it clear that Houston was at an important moment in its evolution, but also presented an environmental/historical/social series of challenges to Architects directed to the younger generation who wanted to be relevant in a professional context both serving and questioning their mission not only as "mirrors" of Society, but more so as "beacons" to lead in defining the physical environment.

"CLICK" each image below to see enlarged

As a result of publication, the Rice Design Alliance created a series of Houston tours led by students, which cited "Another look at the city and its architecture, gleaming multi-use centers, changing neighborhoods, freeways and strips, high-brow and kinky, all creating a feeling of continual contrast".

Having done Houston Guide, and worked with establishing The Houston Architecture Archive, Houston Public Library,

my collection of miniature buildings had been on exhibit and underscored my interest in illustrating Popular Concepts

                                                                               as shown in 'facsimile'                                                                                     

Environmental Improvement Awards
Environmental Improvement Awards

An lnvitation to Nominate an Individual, Business or Organization for the Ninth An­nual Environmental lmprovements Awards Competition, sponsored by The Houston Municipal Art Commission and the Houston Chapter, American Institute of Architects. I was listed as a member of "A distinguished panel of judges . . ." and specifically as Author of HOUSTON an architectural guide.

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The American Cityscape poster
The American Cityscape poster

"New Directions in Civic Art", a lecture series by the Rice Design Alliance in association with the Museum of Fine Arts, Houston. The image is from a small part of my collection of miniature buildings.

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INTRODUCTION: Design/Production Team; Contents; Acknowledgements; Foreword; Essay; Afterword

Credits
Credits

Houston at its Beginning: the "Bayou City" and "head of Navigation".

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Contents
Contents

Use of the "wagon wheel" urban form to rationalize the designation of the city's "Areas".

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Acknowledgements + Foreword
Acknowledgements + Foreword

My Foreword touches in detail on the 'gap' of recording the changes in the fabric of the city, all within only two decades since the last AIA Convention in Houston.

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Essay p1
Essay p1

Houston in the '70s: Contrasts such as the annual 'Trail Riders' on horseback with Conestoga Wagons pass the Shell Building by SOM Architects.

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Essay p2
Essay p2

"The View From the Road", funky people & lifestyles, flat terrain & water drainage.

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Essay p3
Essay p3

What defines 'urban space', what are the symbols of 'place' in an emerging city?

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AFTERWORD
AFTERWORD

Great Expectations . . .

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CLOSE-UP - Cover
CLOSE-UP - Cover

Grady Clay was the Senior Editor for Landscape Architecture; his comments on the Guide are cited by others.

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One of the 15 Sections of the Guide is represented in Reproduction, from the map with buildings located, an essay on the Area, photographs chosen to illustrate "reality", and what are now known as "thumbnails" of the building, dates, address and designers. 

The Social Strata are reflected in the sequence, based on the geography of the radial/'wagon wheel' form of the City, from center to outlying area.

As such, the more 'funky' Inner-City areas naturally came first; Area EIGHT was interesting, because it included a variety of discreet sub-areas as well as institutions. Therefore, the 'opening' of the narrative prompted one River Oaks Lady to query, "Why did you show 'those people' first?". I replied that "They" were there first, as the site, directly adjacent to what is now 'Downtown' is the Fourth Ward, the original 'Freedmans Town', subsequent to the 19 June 1863 Emancipation Proclamation; 'Freedmans Town' was created in Texas on that date in 1865 (at the end of the Civil War) and celebrated as "June-teenth". The Subdivision of River Oaks, by contrast, wasn't established until the 1920s.

Three Guidebooks compared:

The Austin Chapter American Institute of Architects/Women's Architectural League issued a commemorative Bicentennial local city guide,

Austin and its Architecture,in 1976, and the 1986 San Antonio Chapter, AIA guide,  A Guide to San Antonio Architecture having followed the 1972 HOUSTON an architectural guide [designed for the National AIA Convention].

Struck by certain graphic design, typography Font, and organizational 'similarities', I include a few juxtaposed  'comparisons' for your consideration. 

 “Imitation is the sincerest form of flattery that mediocrity can pay to greatness.”    Oscar Wilde

                                                                                                                                                                                                                                                             

San Antonio, Austin and Houston compared . . .

in size, shape, graphic format, and organization

An important image in HOUSTON an architectural guide [by photographer Bill Lukes] was taken of 2 Tourists at the Astrodome; they were holding a postcard, and Bill thought the 'picture within a picture' idea was terrific.

I suppose it was flattery that it appeared as an ad for Building Modern Houston [although cropped].

Design Intentions/Solutions/Comparisons between Three Guides
HOUSTON Contents
HOUSTON Contents

The 'concept' of structuring presentation/organization of a City guide paralleled all Guides; the Houston was based upon the framework of its Roadway armature.

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AUSTIN Contents
AUSTIN Contents

The Austin Guide was the closest in design to its predecessor, HOUSTON

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SAN ANTONIO Contents
SAN ANTONIO Contents

Even a small [but more Historic] "town" used the overview based on similar strategies.

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HOUSTON Area 1
HOUSTON Area 1

Every city has a 'Downtown', at least historically. A Key map, North arrow, buildings numbered, gave a point of reference.

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